Showing posts with label philippine theater. Show all posts
Showing posts with label philippine theater. Show all posts

Saturday, January 6, 2024

CONTROL + SHIFT : Changing Narratives PETA’s Bold Collection of New Theater Performances



QUEZON CITY, Philippines –  With an unwavering commitment to empowering and enriching society, PETA continues to push boundaries and explore new frontiers in the realm of socially relevant theater. PETA welcomes 2024 with a bold collection of new theater performances that puts the spotlight on the theme of narrative change with CONTROL + SHIFT : Changing Narratives, Reclaiming and Reshaping Stories of the Filipino People


PETA artists, together with creative partners and collaborators, have created fresh works that hope to provoke curiosity, spark conversations, challenge assumptions, interrogate, and transform the toxic narratives and harmful depictions that hold society back. 






CONTROL + SHIFT : Changing Narratives features eight new works, devised performances, and the re-staging of KUMPRONTASYON at the PETA Theater Center from January 12-14, 19-21, 2024. 


The line-up includes:


  • Zoe Damag, Julia Enriquez, Pia Viola, and Gold Villar-Lim’s “Momsilogues,” directed by Gold Villar-Lim. Single mom foodie vloggers collaborate on an interactive vlog about tapsilog, uncovering a savory journey of career, love, and motherhood.


  • Sabrina Basillo’s “Ang Mga Halimaw sa Compound Z,” directed by Norbs Portales. A journalist interviews two recovering “halimaw” about their reintegration into society and discovers a shocking revelation that could alter humanity's destiny forever. This play explores the construction of monster myths and their impact on young Filipinos' mental and social well-being.


  • “Albularyo,” direction, concept, and choreography by Carlon Matobato, dramaturgy by Ian Segarra. A movement performance that journeys into the world of Filipino folk healing of the ills of our body and our nation.


  • Mixkaela Villalon’s “Children of the Algo,” directed by John Moran. Gen Z content creators hide their deeper realities while navigating the digital age with wit and vulnerability, challenging viewers to see beyond the algorithm.


  • Dominique La Victoria’s “Kislap at Fuego,” directed by Maribel Legarda and J-mee Katanyag, Filipino translation by Gentle Mapagu. An unexpected fairytale between a Kapre and a country girl, set amidst the Philippine Revolution against Spain. This play explores how to reshape the way we talk about love, rebirth, and revolution.







  • Liza Magtoto’s “/” (Slash), directed by Meann Espinosa. When an influencer’s best friend is “canceled,” her seemingly neutral stance is put to a test. As these two friends grapple with the idea of re-entering the industry, Xendy (the influencer) tries to balance loyalty, righteousness and branding.


  • “Ang Parangal," direction & concept by Eric dela Cruz, adaptation & co-conceptualized with Michelle Ngu-Nario. In this adaptation of Miloš Forman’s 1967 comedy film, The Fireman’s Ball, a group of barangay tanod organizes a community celebration in tribute for their retired barangay captain but crumbles in the face of their dire ineptitude. Spectacles and good intentions are not enough to make up for incompetence in governance.


  • Glecy Atienza’s “Nakatala Sa Tubig” (Staged Reading), in collaboration with Anthony Cruz & Bobet Mendoza. A performance discourse on water and the lives and roles of women in times of war.


  • Kyle Saldonido’s “Pilipinas, Geym Ka Na Ba?” a devised performance by Umalohokan, Inc., directed by Kovi Billones with directing guidance from Ian Segarra. The residents of Barangay Pinapili woke up in an obscure playground. To leave, they must beat a series of childhood games, each with a dark twist.







  • Melvin Lee’s “KUMPRONTASYON” This production, which boasts three plays: Allan Palileo’s “Lakambini,” Guelan Luarca’s “The Impossible Dream,” and Joshua Lim So’s “A Color for Tomorrow,” uses theater as a platform for difficult but necessary conversations on unresolved historical and political events. 


These shows hope to use the power of theater as a platform to reclaim spaces for collective meaning-making and social transformation. After all, changing the world can all begin with experimenting with a story, a frame, a narrative.


PETA invites everyone to join and watch these empowering stories come to life! For more information and ticket reservations, go to tinyurl.com/PETAControlShift.


Wednesday, January 15, 2020

REP’s Stage Kiss is Valentine’s perfect date event

Buy your tickets for REP’s 2020 season opener now!




Stage Kiss features a stunning ensemble cast consisting of Missy Maramara and Tarek el Tayech, Robbie Guevara, Jamie Wilson, Andres Borromeo, Justine Narciso, and Mica Pineda .

Fantasy or Reality? Which is which? When does a stage kiss cross the delicate line into a real one? In Stage Kiss, Repertory Philippines’ exciting season opener, the intoxicating desire for romance is shattered by the sobering bite of reality. It is clever and funny and—underneath its delicious comic layers—thought-provoking at its core. Stage Kiss is the quintessential must see for the month of love,
hearts, and of course, kisses. Get your tickets now to REP’s first offering for its 83 rd Season, running from February 7 to March 1, 2020.

Named Critic’s Pick by The New York Times, Stage Kiss is a wickedly insightful romantic comedy about the blurred lines in a relationship. When an out-of-work stage actress (She) auditions for the lead in a forgettable 1930s melodrama, all the drama she’s hoping for is onstage. Little does she realize she’ll be in for a whole lot more drama than what she’s signed up for. When her romantic c0-star (He) walks in on the first day of rehearsals, it turns out to be her real-life ex!

Now, He and She will have to tackle their underlying feelings for each other while playing onstage lovers, all while sharing many, many stage kisses. As they lock lips, smoldering embers spark. Are they still actors playing a scene, or offstage lovers in a moment of passion? In this rib-tickling play-within-a-play, life simulates art and art simulates life. It gets tricky telling one from the other, keeping the audience in constant wonder.




With a book by American playwright Sarah Ruhl, REP’s production of Stage Kiss will be brought to life by multi-awarded film and stage director Carlos Siguion-Reyna, known for films like Azucena, Hihintayin Kita sa Langit, and Hari ng Tondo. Playing the romantic leads She and He are Missy Maramara and Tarek El Tayech. Rounding out the cast are REP veterans Robbie Guevara and Jamie Wilson, REP’s up-and-coming young stars Andres Borromeo, Justine Narciso, and Mica Pineda, as well as celebrated pianist Nick Nañgit.

Smooching, hugging, touching—there are lots of those. And the humor is so risqué, theatergoers will be laughing and blushing. And beneath all the fun, Stage Kiss will make us ponder the bittersweet longing for how we want things to be versus how they really are. As She rekindles her love for He, slipping further into the fantasy, she finds out who she truly is. Is she the actress, the wife, the lover, or all of them? Maybe, none of the above? If you’re way past fairy tales and run-of-the-mill love stories, Stage Kiss is that edgy romcom that’s your surefire pick for Valentine’s.
REP’s 2020 season has been highly anticipated, so do not miss Stage Kiss! Bring your partner, lover,
crush...or ex!
Get your tickets now by calling REP at 8451-1474, 0966-905-4013, Ticketworld at 8891-9999, or by
logging on to www.repertoryphilippines.ph
For updates and show schedules, log on to www.repertoryphilippines.ph, like and follow
repertoryphilippines on Facebook and Instagram.



Stage Kiss is a play-within-a-play that takesaudiences backstage and explores the blurred lines
between illusion and reality.